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Print or online a newspaper is a newspaper, a machine whose tendency to err is a constant challenge to its operators (I don’t wish to make excuses). It shows that we all care not just about what is said but the way in which it is said. For a great many of us, probably including you reading this now, it is exciting and necessary stuff, moving enough to have had us reaching for a pen or hastening to our keyboard, perhaps in an initial lather. In fact, to say that journalists are “required’’ to read the stylebook may suggest that it could be considered a bit of a chore. The daily corrections column is a standing invitation to do just that, and the inclusion of comments from readers throughout this new edition shows that the invitation is a genuine one and that the response is more than welcome. They have leaped at the opportunity to participate. No, the book has been extended, and in a few cases corrected, through the keen attentions not only of Guardian journalists but, much more than in the past, of readers from all over the world. This is the second edition and it is much larger than the first, something that is not attributable to any loss of concentration or falling away of standards: since the book appeared, three years ago, the Guardian has twice won the Plain English Campaign’s award for the best national newspaper, earning praise for the clarity of its language and, according to the citation, continuing to set the standard for others. It is easily the best one that the paper has had to turn to, and easily the easiest to consult, freely available to all at the click of a mouse. Introduction by Ian Mayes Well, is it bumf or bumph? You can see straightaway why Guardian journalists are required to read this stylebook. The style guide is online at The email address for your comments, which are very welcome, is
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Her influence and inspiration continue to shine through these pages, even at a distance of 10,000 miles. A special mention for my former colleague Nikki Marshall, co-author of the previous edition of this book. This book would not be possible without the contributions of Guardian and Guardian Unlimited readers, with whom my colleagues and I share an invigorating daily dialogue that is reflected in many of the comments and suggestions included here.
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Thanks also to Richard Alcock, Andy Bodle, Helen Brooks, Kirsten Broomhall (who wrote the section on web style), Charlotte Dewar, Chris Hall, and Anna Bawden (for sorting out beeper and bleeper, and much more). No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the copyright owner A CIP record for this book is available from the British Library ISBN: 978-0-85265-086-8 Cover design: Two Associates Text design: Printed and bound in Great Britain by MPG Books, Bodmin, Cornwall.Īppendix 1: The Guardian’s editorial codeĪppendix 2: The editor’s guidelines on the identification of sourcesĪppendix 3: CP Scott’s 1921 essay on the centenary of the Manchester GuardianĪppendix 4: Excerpts from the 1928 Style Book of the Manchester GuardianĪcknowledgments Very special thanks to Amelia Hodsdon, a superb subeditor and proofreader who has devoted a lot of time and attention to these pages. First published in 2007 by Guardian Books, 119 Farringdon Road, London EC1R 3ER Guardian Books is an imprint of Guardian News and Media Ltd Copyright © The Guardian 2007 The right of David Marsh to be identified as the author of this work has been asserted by him in accordance with section 77 of the Copyright, Designs and Patents Act, 1988 The Guardian is a trademark of the Guardian Media Group plc and Guardian News and Media Ltd 2007 All rights reserved.